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Monitor: LG Ultrafine 4k Keyboard: Editors Keys Illuminated with DaVinci Keys.

Thank-you so much. We appreciate your kind words and are glad you are enjoying the videos we make. It's great to have you here.

Thanks so much!

Yes, remote monitoring will work over the internet.

Thanks so much! Keep on creating :)

Yeah, the magnetic timeline is great. Although for some workflows it can be counter-productive. Two recommendations for Final Cut Users. The Cut page offers a similar 'magnetic' experience to Final Cut. It's not the same, but there are elements that will definitely feel familiar. The Edit Page's Trim Edit Mode is another feature that you'll want to get familiar with. It makes edits ripple in your timeline. Hope that helps. If you have any more questions, please say.

@@team2films Thanks for the response! actually i'm having trouble wrapping my head around managing libraries In Premiere and FCP, you have library files which you can share. In DaVinci, it seems to manage them itself and they're not easy to hand-off to somebody else if you're not using the Blackmagic Cloud. Am I missing something?

We are so happy to hear. Thank-you so much, see you inside the course!

Thank-you so much!

Glad you liked it. To be clear, FCP X is a great program and has some particular advantages. There are things we like about how both programs handle speed changes. We hope you enjoy experimenting with Resolve.

Appreciate you watching. What specifically is it about the DaVinci Timeline that you think needs improving?

Thanks

I’m not sure that the bmpcc 6k pro has the necessary hardware to support remote camera workflows.

@@team2films they have cloud upload but camera says it must be connected to the internet 🤷🏿‍♂️🤦🏾‍♂️

Appreciate you watching though. Thanks for commenting.

Colour Grading uses clip locking... you only lock one clip at a time. So you can have several colourists in the timeline simultaneously, they just can't be on the same clip.

We used to. Now we are married.

@@team2films 😍

Thank-you very much

Heheheh, Thank-you! Appreciate that. It's great to have you here.

👋👍😊🙏

Hahah! Thanks Sean. Hope you enjoy it.

@@team2films More long fusion tutorials pls :)

You and use your Resolve 18 license for 19. All upgrades are free!

Thanks so much :)

Appreciate you commenting. Thank-you

Thank-you.

Sorry, that is not currently possible.

I'm sure you can still buy a license, you just might need to find a different retailer for it. For example bhphoto.

Thank-you, we're always happy to hear that even content for newcomers still has interest for the more experienced. Thanks for taking the time to leave a comment. We appreciate having you here.

Yes, we understand how that could be frustrating when you are used to Premiere's system. It's worth keeping in mind the huge advantages that Resolve's library based project management brings though. 1. It allows multi-user collaboration. 2. It have amazing features like live save, project backups and timeline backups. 3. You could look at it the other way, that having all your projects in one place aids organisation. 4. It integrates with Blackmagic's amazing cloud services. Not to mention all the other amazing features you get with Resolve like Magic Mask, Music Remixer, world-class color grading tools... etc. Perhaps the change in workflow is worthwhile?

@@team2films it is not about workflow habits, but about convenience of software usage. I don't know if it is difficult to make possible to save project as independent file, but it would be very useful for users

Hello! Sorry you’ve had problems with the different edit modes. We think they help simplify the editing toolset. Are there any specific questions we can answer for you?

We're so glad to have you here. Thanks for watching and commenting.

YOU are GOLD 😎 Thank-you so much Marco.

Basically, keep your projects in a library. Once a project is 'finished' you can continue to keep them on the library and organise them in different folders. You can even create different libraries specifically for organising archived projects. You can also export your projects from the library and save them as a .drp file for future use. If you want to share a project with someone you can export it as a .drp file for them. However the easier method would be to use a networked or cloud base library. Libraries might sound like a more complicated way of managing projects, but I think that's just because they are so different from the way Premiere works. Libraries are awesome and simplify project management when you are used to them. Did that help? Please ask more questions if you have them.

@@team2films can I store libraries on an external drive?

@@DANAMIONLINE Yes.

@@team2films what about all the other setting like local libraries. I might have the terms wrong, but I remember it was more than just having a library on a external drive.

@@DANAMIONLINE Not too sure what you mean. In short, local libraries can be stored on an internal drive, an external drive or a networked drive. But they will only be accessible by one person at a time. You can mount and unmount libraries as you please. Does that answer your question?

We've got footage in the can that we shot for the video. I think we might combine it with our PYXIS video. Sorry about that! The spring got super busy! In the meantime, are there any questions we can answer for you?

@@team2films yes when its out :D

@@CINENIMUS No questions in the meantime?

@@team2films that was the question haha you're welcome for all the algo traffic haha

🔥

Thank-you thank-you thank-you Casey! ❤️

We’d suggest using a CST for the color management operation you are describing. You can convert rec 709 to vlog. You can even turn that into a lut.

That's so awesome. Thanks for sharing.

What version of resolve are you using?

@@team2films the latest 18.6. I think I understand it is in version 19 :-) hope it is release soon as production version

Thanks so much, that's kind of you to say.